On Our Last Adventure… 25 | Sep

...my wife and I didn’t see a single soul, but were treated to a few lovely vistas while biking the northern edge of Lake Moultrie. Normally I bring my big camera when we go out, but this time I forgot it, so I used my iPhone 7+ instead to capture two panoramic images, which I blended into one:

It is a neat process, made possible by the people who make Adobe Photoshop, and in case you’re into this kind of thing, I decided to describe it here.

I start with the first panorama, then increase the canvas size to give the image room to grow. 

Next I pasted the second panorama into the image, roughly lining it up with the bottom pano. The goal is to have two separate exposures, one set for the ground and one set for the sky. So when I was shooting the scene, I used the AE/AF lock (tapping on screen where you want to set the exposure/focus and then holding down your finger on that spot) to keep what I wanted exposed correctly.

Then I switched the layer order and lightened the foreground (by reducing its opacity) so that I could see through it to align the two layers.

Next I used the flipping super cool “Camera Raw Filter” to pull the black out of the under exposed foreground and transformed it (free transform then warp) to almost match the foreground. You don’t have to be perfect because in the next step Photoshop takes over.

When you do most of the work above manually, I’ve found that Photoshop’s “Auto-Blend Layers” does a much better job getting the rest right, combining the two images together. A simple “Free Transform” and some guides help to straighten up landscape.

Finally, the biggest decision of how to crop what you’ve captured comes in. I usually copy and paste several crops into new documents so that I can toggle between them to choose a favorite. Then one more “Camera Raw Filter” and a “Levels” adjustment in this new document cleans up the colors and eliminates the lingering grey. If you then save the two separately, you can have one process document and one final. That way, if you ever want to go back and re-crop or color edit differently, you have the option.

Now I may never decide to paint this image. I would guess that I paint one out of ten panoramics that I build. But either way, it is a fun process because in the end you get to see a landscape in a similar way that you would see it if you were standing there. And in the end, especially when it comes to painting realistically, it is the little things that make all the difference! -jb.


Painting In Clouds… 25 | Sep

...and little islands in my latest long and skinny painting. -jb.

Matt Bober’s Studio Today 22 | Sep



The Latest… 05 | Sep

us 29 (One Drop of Truth) oil on panel 22 x 39” $14,000

Drop by my studio at RLS to see it in person!

New from Adam Hall 05 | Sep

Ready 01 | Sep

Everything is varnished, framed and ready to be dropped off Tuesday. Come join us this Friday for the opening of At Summers End!


In Print 01 | Sep





New Megan Aline 01 | Sep

Upcoming Exhibit Press 31 | Aug

Big Blue 30 | Aug

Is nearly complete



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